Bronze sculpture multi color patina blind justice lawyer judge gift figurine art

Bronze sculpture multi color patina blind justice lawyer judge gift figurine art

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Find Bronze sculpture multi color patina blind justice lawyer judge gift figurine art costs and discover where to get. Gifts for Lawyers brings you pricing information for merchants, along with testimonials, ratings, specifications and also more. Choose, brew, enjoy! Thing specifics :

Material : Bronze

Description

Bronze Sculpture Multi Color Patina Blind Justice Lawyer Judge Gift Figurine Art Bronze Sculpture Multi Color Patina Blind Justice Lawyer Judge Gift Figurine Art Description

Condition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 18" x Width 9"Marble Dimensions: Diameter 5"Height without base: 17" Weight : 10LBSInventory : 39Y026-6C6323

 

The bronze sculpture is of Lady Justice (Roman goddess of Justice) who is the  symbolic personification of the moral force in judicial systems. As anciently depicted, the blindfolded Lady Justice, is seen balancing the scales of truth and fairness from her left hand, holding a sword, while stepping on a book and a snake that coils around herfeet. The scales, represent truth and fairness and measures the strength of a case's support and opposition. The blindfold, represents objectivity, in that justice is (or should be) meted out objectively without biases. The sword, symbolizes the power of reason and justice, which may be wielded either for or against any party. The book represents history; signifying to stand against wrongdoings or with the good doings of the past. The snake symbolizes hatred hence the foot that stops it from getting its grip. She was captured using the age-old method of lost-wax casting and stained with a brown patina finish. She is mounted upon a black marble base.

 

 

The Art of Lost Wax

Lost wax casting has been around for thousands of years, yet few people understand how the process actually works.  Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC. 

The Rubber Mold

First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery.  This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.  These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting. 

The Wax Positive

Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created.  Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.  This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.  The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible. 

Gating

The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time.  These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations. 

Ceramic Shell Casting

After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.  The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved. 

Lost Wax

Once these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.

The Pour

Bronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells.  As the sculpture cools the ceramic shell begins to pop away from the bronze.  This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away. 

Sandblasting

The casting is then sandblasted in preparation for metal finishing.  Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased". 

Texturing

Finally, any texturing that was lost or damaged in the casting or welding process is recreated.  The sculpture is then polished in preparation for application of the patina. 

Patinas

The different colored finishes that are possible on cast bronze sculptures are called patina's.  The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes. 

Limited Editions

Most bronzes are part of a "limited edition" containing a fixed number of castings.  This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production. Payment And Shipping

Payment Options

Payment for your purchase is expected within 10 days of the closing of the item's auction. Unpaid auction wins will be forfeited after 7 days.We accept Paypal and all Major Credit Cards (Visa, MasterCard, Discover, and American Express).

Additional Payment Information

If your payment is not received within this period, a non-payment claim will be filed. There is a 8.625% sales tax for New York residents.

Most of our items are shipped via USPS (United States Postal Service) mail or Fedex. Most orders are shipped within 24-48 hours of purchase. Please be aware that not all items are available for USPS shipping due to size and weight. We do ship to Hawaii, Alaska, Canada, Puerto Rico, APO/AE, and U.S. Virgin Islands, however, an additional charge may be required. Please contact us before making any purchases in these areas. For Non-USA customers, you may be responsible for all duty, tax, & brokerage fees that may be due upon delivery (shipping costs cover freight charges only).We also ship internationally. Please refer to the "Shipping & Handling" chart for the rates for each area.

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Payment

Payment for your purchase is expected within 10 days of the closing of the item's auction. Unpaid auction wins will be forfeited after 7 days.We accept Paypal and all Major Credit Cards (Visa, MasterCard, Discover, and American Express).

If your payment is not received within this period, a non-payment claim will be filed. There is a 8.8725% sales tax for New York residents.

Shipping

Most items are shipped via UPS. Most orders are shipped within 24-48 hours of purchase. For Non-USA customers, you may be responsible for all duty, tax, and brokerage fees that may be due upon delivery (shipping costs cover freight charges only). 

Your Satisfaction With Any Bronze Purchase Is The Key To our Success. All Items In Original Condition, With The Exception Of Custom Works Of Art, Can Be Returned By Buyer For Exchange, Replacement Or Refund Within 30 Days Of Delivery, Less The Shipping And Handling Charges. Customer Is Responsible For Return Shipping Cost. All Items Must Be Returned In The Original Packaging. Custom Works Of Art Are Non-Refundable. In The Unlikely Event Your Sculpture Arrives Damaged, We Offer Replacement Or Refund. In This Situation, The Damaged Item Must Be Reported Within 48 Hours Of Delivery. We Would Pay The Return Freight.We sell our bronze sculptures as reproductions, unless the title indicate it as original. 

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$Bronze Sculpture Multi Color Patina Blind Justice Lawyer Judge Gift Figurine Art Description Condition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 18" x Width 9" Marble Dimensions: Diameter 5" Height without base: 17" Weight : 10LBS Inventory : 39Y026-6C6323 The bronze sculpture is of Lady Justice (Roman goddess of Justice) who is the symbolic personification of the moral force in judicial systems. As anciently depicted, the blindfolded Lady Justice, is seen balancing the scales of truth and fairness from her left hand, holding a sword, while stepping on a book and a snake that coils around her feet. The scales, represent truth and fairness and measures the strength of a case's support and opposition. The blindfold, represents objectivity, in that justice is (or should be) meted out objectively without biases. The sword, symbolizes the power of reason and justice, which may be wielded either for or against any party. The book represents history; signifying to stand against wrongdoings or with the good doings of the past. The snake symbolizes hatred hence the foot that stops it from getting its grip. She was captured using the age-old method of lost-wax casting and stained with a brown patina finish. She is mounted upon a black marble base. The Art of Lost Wax Lost wax casting has been around for thousands of years, yet few people understand how the process actually works. Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC. The Rubber Mold First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery. This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses. These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting. The Wax Positive Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created. Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture. This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made. The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible. Gating The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time. These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations. Ceramic Shell Casting After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form. The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved. Lost Wax Once these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them. The Pour Bronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells. As the sculpture cools the ceramic shell begins to pop away from the bronze. This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away. Sandblasting The casting is then sandblasted in preparation for metal finishing. Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased". Texturing Finally, any texturing that was lost or damaged in the casting or welding process is recreated. The sculpture is then polished in preparation for application of the patina. Patinas The different colored finishes that are possible on cast bronze sculptures are called patina's. The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes. Limited Editions Most bronzes are part of a "limited edition" containing a fixed number of castings. This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production. Payment And Shipping Payment Options Payment for your purchase is expected within 10 days of the closing of the item's auction. Unpaid auction wins will be forfeited after 7 days.We accept Paypal and all Major Credit Cards (Visa, MasterCard, Discover, and American Express). Additional Payment Information If your payment is not received within this period, a non-payment claim will be filed. There is a 8.625% sales tax for New York residents. Most of our items are shipped via USPS (United States Postal Service) mail or Fedex. Most orders are shipped within 24-48 hours of purchase. Please be aware that not all items are available for USPS shipping due to size and weight. We do ship to Hawaii, Alaska, Canada, Puerto Rico, APO/AE, and U.S. Virgin Islands, however, an additional charge may be required. Please contact us before making any purchases in these areas. For Non-USA customers, you may be responsible for all duty, tax, & brokerage fees that may be due upon delivery (shipping costs cover freight charges only).We also ship internationally. Please refer to the "Shipping & Handling" chart for the rates for each area. inkfrog terapeak inkFrog Analytics Bronze Sculpture Multi Color Patina Blind Justice Lawyer Judge Gift Figurine Art Bronze Sculpture Multi Color Patina Blind Justice Lawyer Judge Gift Figurine Art Description

Condition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 18" x Width 9"Marble Dimensions: Diameter 5"Height without base: 17" Weight : 10LBSInventory : 39Y026-6C6323

 

The bronze sculpture is of Lady Justice (Roman goddess of Justice) who is the  symbolic personification of the moral force in judicial systems. As anciently depicted, the blindfolded Lady Justice, is seen balancing the scales of truth and fairness from her left hand, holding a sword, while stepping on a book and a snake that coils around herfeet. The scales, represent truth and fairness and measures the strength of a case's support and opposition. The blindfold, represents objectivity, in that justice is (or should be) meted out objectively without biases. The sword, symbolizes the power of reason and justice, which may be wielded either for or against any party. The book represents history; signifying to stand against wrongdoings or with the good doings of the past. The snake symbolizes hatred hence the foot that stops it from getting its grip. She was captured using the age-old method of lost-wax casting and stained with a brown patina finish. She is mounted upon a black marble base.

 

 

The Art of Lost Wax

Lost wax casting has been around for thousands of years, yet few people understand how the process actually works.  Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC. 

The Rubber Mold

First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery.  This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.  These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting. 

The Wax Positive

Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created.  Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.  This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.  The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible. 

Gating

The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time.  These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations. 

Ceramic Shell Casting

After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.  The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved. 

Lost Wax

Once these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.

The Pour

Bronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells.  As the sculpture cools the ceramic shell begins to pop away from the bronze.  This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away. 

Sandblasting

The casting is then sandblasted in preparation for metal finishing.  Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased". 

Texturing

Finally, any texturing that was lost or damaged in the casting or welding process is recreated.  The sculpture is then polished in preparation for application of the patina. 

Patinas

The different colored finishes that are possible on cast bronze sculptures are called patina's.  The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes. 

Limited Editions

Most bronzes are part of a "limited edition" containing a fixed number of castings.  This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production. Payment And Shipping

Payment Options

Payment for your purchase is expected within 10 days of the closing of the item's auction. Unpaid auction wins will be forfeited after 7 days.We accept Paypal and all Major Credit Cards (Visa, MasterCard, Discover, and American Express).

Additional Payment Information

If your payment is not received within this period, a non-payment claim will be filed. There is a 8.625% sales tax for New York residents.

Most of our items are shipped via USPS (United States Postal Service) mail or Fedex. Most orders are shipped within 24-48 hours of purchase. Please be aware that not all items are available for USPS shipping due to size and weight. We do ship to Hawaii, Alaska, Canada, Puerto Rico, APO/AE, and U.S. Virgin Islands, however, an additional charge may be required. Please contact us before making any purchases in these areas. For Non-USA customers, you may be responsible for all duty, tax, & brokerage fees that may be due upon delivery (shipping costs cover freight charges only).We also ship internationally. Please refer to the "Shipping & Handling" chart for the rates for each area.

    inkfrog terapeak

inkFrog Analytics

PaymentShipping

Most items are shipped via UPS. Most orders are shipped within 24-48 hours of purchase. For Non-USA customers, you may be responsible for all duty, tax, and brokerage fees that may be due upon delivery (shipping costs cover freight charges only). 

Payment for your purchase is expected within 10 days of the closing of the item's auction. Unpaid auction wins will be forfeited after 7 days.We accept Paypal and all Major Credit Cards (Visa, MasterCard, Discover, and American Express).

If your payment is not received within this period, a non-payment claim will be filed. There is a 8.8725% sales tax for New York residents.

Returns

Your Satisfaction With Any Bronze Purchase Is The Key To our Success. All Items In Original Condition, With The Exception Of Custom Works Of Art, Can Be Returned By Buyer For Exchange, Replacement Or Refund Within 30 Days Of Delivery, Less The Shipping And Handling Charges. Customer Is Responsible For Return Shipping Cost. All Items Must Be Returned In The Original Packaging. Custom Works Of Art Are Non-Refundable. In The Unlikely Event Your Sculpture Arrives Damaged, We Offer Replacement Or Refund. In This Situation, The Damaged Item Must Be Reported Within 48 Hours Of Delivery. We Would Pay The Return Freight.We sell our bronze sculptures as reproductions, unless the title indicate it as original. 

Bronze Sculpture Multi Color Patina Blind Justice Lawyer Judge Gift Figurine Art Description

Condition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 18" x Width 9"Marble Dimensions: Diameter 5"Height without base: 17" Weight : 10LBSInventory : 39Y026-6C6323

 

The bronze sculpture is of Lady Justice (Roman goddess of Justice) who is the  symbolic personification of the moral force in judicial systems. As anciently depicted, the blindfolded Lady Justice, is seen balancing the scales of truth and fairness from her left hand, holding a sword, while stepping on a book and a snake that coils around herfeet. The scales, represent truth and fairness and measures the strength of a case's support and opposition. The blindfold, represents objectivity, in that justice is (or should be) meted out objectively without biases. The sword, symbolizes the power of reason and justice, which may be wielded either for or against any party. The book represents history; signifying to stand against wrongdoings or with the good doings of the past. The snake symbolizes hatred hence the foot that stops it from getting its grip. She was captured using the age-old method of lost-wax casting and stained with a brown patina finish. She is mounted upon a black marble base.

 

 

The Art of Lost Wax

Lost wax casting has been around for thousands of years, yet few people understand how the process actually works.  Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC. 

The Rubber Mold

First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery.  This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.  These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting. 

The Wax Positive

Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created.  Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.  This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.  The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible. 

Gating

The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time.  These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations. 

Ceramic Shell Casting

After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.  The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved. 

Lost Wax

Once these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.

The Pour

Bronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells.  As the sculpture cools the ceramic shell begins to pop away from the bronze.  This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away. 

Sandblasting

The casting is then sandblasted in preparation for metal finishing.  Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased". 

Texturing

Finally, any texturing that was lost or damaged in the casting or welding process is recreated.  The sculpture is then polished in preparation for application of the patina. 

Patinas

The different colored finishes that are possible on cast bronze sculptures are called patina's.  The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes. 

Limited Editions

Most bronzes are part of a "limited edition" containing a fixed number of castings.  This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production. Payment And Shipping

Payment Options

Payment for your purchase is expected within 10 days of the closing of the item's auction. Unpaid auction wins will be forfeited after 7 days.We accept Paypal and all Major Credit Cards (Visa, MasterCard, Discover, and American Express).

Additional Payment Information

If your payment is not received within this period, a non-payment claim will be filed. There is a 8.625% sales tax for New York residents.

Most of our items are shipped via USPS (United States Postal Service) mail or Fedex. Most orders are shipped within 24-48 hours of purchase. Please be aware that not all items are available for USPS shipping due to size and weight. We do ship to Hawaii, Alaska, Canada, Puerto Rico, APO/AE, and U.S. Virgin Islands, however, an additional charge may be required. Please contact us before making any purchases in these areas. For Non-USA customers, you may be responsible for all duty, tax, & brokerage fees that may be due upon delivery (shipping costs cover freight charges only).We also ship internationally. Please refer to the "Shipping & Handling" chart for the rates for each area.

    inkfrog terapeak

inkFrog Analytics

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Categories Antiques:Reproduction Antiques All returns accepted Returns Accepted Refund will be given as Money Back
Item must be returned within 30 Days Return shipping will be paid by Buyer Restocking Fee No
Material Bronze Weight Dop 2 Contact Paige Schaefer
City North Grayceview Company Watsica Inc
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The Scales, Represent Truth And Fairness And Measures The Strength Of A Case S Support And Opposition. The Blindfold, Represents Objectivity, In That Justice Is (Or Should Be) Meted Out Objectively Without Biases. The Sword, Symbolizes The Power Of Reason And Justice, Which May Be Wielded Either For Or Against Any Party.